2 min read
Interesting (and appropriately rambling) talk by Will Self, expanding on his recent thesis that a) the technology of the codex is on the way out, and thusly b) so is capital-L literature. I'm not sure I buy it completely, but his argument goes to lots of interesting places, and I recognise a lot in his description of the academy as a sort of care-home for obsolescing art-mediums such as the modernist novel.
(The audience, on the other hand, replete with writers and teachers of writing -- two categories that overlap a great deal, as Self points out -- fails to recognise his description with such venom that it's hard not to characterise their response as classic denial. That said, these are anxious times in the academy, and particularly at the arts and humanities end of it, and being lectured about the demise of your field of expertise by a man still managing to make a living producing that which you study must be a bit galling; in essence, Self does here to literary scholars what Bruce Sterling repeatedly does for technologists and futures types. The difference appears to be that literary scholars know a Cassandra when they hear one.)
Also of interest is Self's characterisation of the difference between literary fiction and genre fiction, perhaps because it is both vaguely canonical and seemingly unexamined: that old tautologous chestnut about literary fiction not being a genre because it doesn't obsess over reader fulfilment and boundary-work. That may be true of literary writers, perhaps (though Barthes is giving me some side-eye for saying so), but it is to ignore the way the publishing industry deals with the category, which is almost entirely generic... and that's a curious oversight for someone who predicates their argument about literature's decline on explicitly technological dynamics. Nonetheless, well worth a watch/listen.